Toto je volné dílo, neboť bylo vydáno ve Spojených státech mezi roky 1929 a 1977 bez copyrightové výhrady. Pokud není jeho autor již mnoho let mrtev, je stále autorskoprávně chráněno v zemích, které na americká díla neuplatňují pravidlo kratší doby ochrany, jako jsou například Kanada (50 p.m.a.), Čína (50 p.m.a., netýká se Hongkongu či Macaa), Německo (70 p.m.a.), Mexiko (100 p.m.a.), Švýcarsko (70 p.m.a.) a další země s individuálními smlouvami. Více informací najdete v tomto přehledu. العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

{{*The photo has no copyright markings

• It was created for publicity purposes-distribution to the media. The image was meant to bring attention and publicity for the personalities pictured, and the film in which they starred.

Film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Creative Clearance-Publicity photos

"Publicity Photos (star headshots) older publicity stills have usually not been copyrighted and since they have been disseminated to the public, they are generally considered public domain and therefore there is no necessity to clear them with the studio that produced them (if you can even determine who did)."

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